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Musikgeschäftspitfireaudio.com
Spitfire Audio Erfahrungen
3,7von 5 · Gut
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651 in 12 MonatenIhre Stimme
Erfahrung zu Spitfire Audio schreiben
Kalle Henningsson
Verifizierte Bewertung
Great product and great customer support!
I purchased the fantastic Spitfire Symphony Orchestra and had a problem with a discount code. After contacting support on a hail mary, I got a refund equal to the discount! Great product and great customer support!
0
Louis Cherry
Verifizierte Bewertung
The products are wonderful
The products are wonderful. The support and available instruction on the installation and setup was quite challenging.
0
nick young
Verifizierte Bewertung
Very disappointed
I was very disappointed with the piano I bought, and I wanted to either swap it for something else, or get a refund. It seems that I get neither, which is a shame considering that I have other Spitfire products which are very good.
0
miditime
Verifizierte Bewertung
Spitfire has some of the world's very…
Spitfire has some of the world's very best libraries available - but for practical performance purposes, for the normal sustained/Long articulations in Spitfire Symphony Orchestra, you cannot access the recorded dynamic layers by how hard you play each key. Spitfire confirms that distinction explicitly: with most of its orchestral libraries, Long articulations ignore note-on velocity for dynamics. The recorded soft-to-loud layers are accessed with CC1/Dynamics instead. Shorts such as staccato and spiccato do respond to playing velocity. So for the thing you're trying to do: soft chord + harder-hit melody note = louder/more forceful melody note …Spitfire Symphony Orchestra Longs won't do it, despite having multiple recorded dynamic layers. Interestingly, Spitfire has made some other libraries that work the way I'd like. Their British Drama Toolkit, for example, explicitly selects among recorded layers according to individual key velocity, specifically so you can play it “as you would on a piano.” So this isn't a technical impossibility—it is a design decision in their conventional orchestral libraries.however the fact that there is no way to use keyboard velocity to change the volume of individual fingers for sustained notes during a performance. You get one velocity for all the notes you are playing. for the sustained/Long articulations in Spitfire Symphony Orchestra, there isn't a setting that makes each note's key velocity determine its dynamic level. Spitfire explicitly says that Long articulations respond to the Dynamics fader (CC1), not MIDI note velocity. Shorts such as staccato/spiccato respond to velocity. The Symphony Orchestra manual mentions “CC Mapped Velocity” / “CC Based Velocity,” but that's essentially the opposite of what you want: it lets the Dynamics control/CC1 control note velocity, primarily for short articulations. It does not make sustained notes velocity-sensitive. So my chord-voicing problem is real If I play: C velocity 50 G velocity 55 C velocity 115 ← melody on a sustained Spitfire string patch, Spitfire isn't going to give that upper C the much stronger dynamic that a piano patch would. And CC1 can't solve it because moving CC1 changes the dynamic layer of all the notes currently sounding in that instance. Because you're specifically trying to play orchestral chords pianistically and bring the melody out with your fingers, I'd approach this differently. You can make Digital Performer separate notes according to velocity and route them to two instances of Spitfire: Velocity 1–80 → Spitfire Strings A → CC1 around 45–55 Velocity 81–127 → Spitfire Strings B → CC1 around 85–100 Then when you play a chord, the notes you deliberately accent with your fingers go to the louder/different-dynamic Spitfire instance. That would actually give you what I'm describing: individual notes within the chord responding to how hard you play them, even though Spitfire itself doesn't support that behavior on Long articulations. And you could probably make it 3 dynamic levels (soft/medium/accent) so it feels considerably more natural rather than having an obvious threshold.
0
LL
Verifizierte Bewertung
Bought the Spitfire Harp
Bought the Spitfire Harp, but it buries in the fine print that you need the Kontakt 8 player to use it. The Kontakt 8 costs hundreds of dollars. It's also a terrible player, extremely bad interface and the Harp plugin does not connect easily to it. I spent hours of my day trying to get it all to work. This is not the norm for most instruments, samples, plugins I've bought.
0
Die Akte
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GB
Alternativen zu Spitfire Audio
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Ist Spitfire Audio seriös?
Spitfire Audio erreicht aktuell 3,7 von 5 Sternen aus 13.187 unabhängigen Bewertungen — Gesamturteil „Gut“. Zur Einordnung: Unternehmenssitz: GB. Alle Stimmen bleiben öffentlich: erfahrungen.app löscht keine Bewertungen gegen Geld.
Wie bewerten Kunden Spitfire Audio?
Kundinnen und Kunden bewerten Spitfire Audio im Schnitt mit 3,7 von 5 Sternen („Gut“) auf Basis von 13.187 Bewertungen. 651 davon stammen aus den letzten 12 Monaten.
Welche Alternativen zu Spitfire Audio gibt es?
Die bestbewerteten Anbieter in der Branche Musikgeschäft sind hmv (UK) (4,6 von 5), Gear4music.com (4,6 von 5), Woodbrass (4,4 von 5). Das vollständige Ranking mit allen Anbietern finden Sie in der Branchenübersicht auf erfahrungen.app.
Ist das Profil von Spitfire Audio beansprucht?
Nein. Das Profil von Spitfire Audio ist öffentlich, aber nicht vom Unternehmen beansprucht. Deshalb kann Spitfire Audio hier nicht auf Bewertungen antworten. Die Firma kann das Profil kostenlos beanspruchen.
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Wir löschen keine Bewertungen.
Auch nicht für Geld. Unclaimed ist fair. Claimed gibt das Mikrofon — nicht den Radiergummi.